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The Navajo rug, creating a tradition November 1st, 2020 by

Anthropologists shy away from the word “traditional,” because even traditions that seem ancient may be creatively evolving. In the southwestern USA, nothing says “traditional” louder than a Navajo rug, woven from handspun wool on a hand-made loom.

The Navajo people arrived in the Southwest from the north, sometime between the 1200s and 1400s AD. They probably learned to weave from long-established peoples like the Hopis, and Zuñis. In the 1600s, Spanish colonists brought sheep to New Mexico. Native people soon began herding them and weaving their wool, warmer and more abundant than some of the previous fibers (like human hair, and strips of rabbit fur).

In 1863 the US Army cajoled and bullied much of Navajo Nation to move to Bosque Redondo or Fort Sumner, in New Mexico. The Navajos packed their horse-drawn wagons and herded their sheep to the fort, about 300 miles (480 km) from the heart of Navajo country. The Navajos were given land, but crops failed due to drought, floods and armyworms in the hot, unfamiliar climate. The Navajos ate almost all of their sheep to survive. But while confined, the Navajos also acquired a taste for certain foreign goods, like wool Pendleton blankets, velveteen shirts, metal axes and cooking pots, not to mention coffee, sugar and flour.

When the Navajos were finally allowed to go home in 1868, the army gave two sheep to each man, woman and child. The Navajos were practiced pastoralists, and within a few years they once again had large herds.

White traders began moving onto the reservation, living in isolated “trading posts,” small general stores that sold cloth, tools and groceries with a long shelf life. They also bought wool and crafts from the Navajos. An autobiographical account by one of these traders, Franc Newcomb, explains how in the 1910s and 20s, one of the main trade goods was a wool blanket, known in the Southwest as a “Navajo rug”. Over the years, the traders who bought these rugs gave the Navajos advice on how to make the rugs more attractive for the tourist market. It was in the traders’ enlightened self-interest if their Navajo customers had more money to spend. The rugs gradually became bigger, more carefully woven, with more interesting patterns. http://www.aritearu.com/pic/HosteenKlah1.jpg

Franc Newcomb, and her husband, Arthur, were befriended by their neighbor, Klah, a renowned medicine man and weaver. Klah allowed Franc to attend his healing ceremonies, an art form as complex as the opera. A ceremony takes three or four years to learn. It lasts for as many as nine days and nights and is accompanied by myths, chants and intricate illustrations of divine figures, made by carefully pouring colored sand between one’s fingers.

Most visual arts are made to last a while. Not the sand painting. The patient enters the one-room log house (called a hogan) and sits on the sand painting, destroying it, while absorbing its healing power. Franc would sit up night after night at the ceremonies, and she loved the sand paintings. Franc thought the sand paintings deserved to be recorded. She had a nearly photographic memory, but she gave Klah colored pencils and paper, and he sketched the sand paintings, to make sure every detail was accurate. Franc, a former school teacher, painted Klah’s drawings onto large sheets of heavy-duty wrapping paper from her store.

Eventually Franc suggested that Klah weave the sand painting designs into rugs. He hesitated to weave such a sacred image, but eventually he built several 12-foot by 12-foot (4-meter) looms, using logs he cut in the mountains. He began weaving large rugs of the Yeibichai (spiritual beings). His mother, sister and two-nieces also joined him.

Klah decided that such special rugs had to be made from a soft, tan wool from the belly of the sheep, and Franc’s husband, Arthur, drove Klah to trading posts all over the reservation to buy the rare wool.

Klah and his family couldn’t keep up with the demand for Yeibichai rugs, and soon other weavers were copying the idea. I inherited a small, almost miniature Yeibichai rug from my grandfather, who probably bought it at a trading post. The winter of 1978-79, I lived at a Navajo trading post in Lukachukai, Arizona, and always thought of the Navajo rug as a traditional artform, although I was aware of some changes. Bright colors from chemical dyes were introduced mid-century, only to be replaced again by softer, plant dyes in the 1960s and 70s, when nature became cool. But there was much more innovation than that, especially the creation of large, tapestry-style weavings, illustrating the sand paintings with their spiritual figures. Like much creative change, the Navajo rug has evolved in response to market demand, and thanks to collaboration between people with vastly different experiences.

When Klah was a boy his horse slipped and fell off a canyon wall, kicking Klah a few times on the way down. As Klah’s great-aunt slowly nursed him back to health, she saw that Klah was a hermaphrodite. Instead of subjecting Klah to ridicule or surgery, the Navajos thought he was special and powerful and they encouraged him to do men’s things, and women’s things. The openminded acceptance of his community helped Klah to become a creative artist, as he blended a male artform (sand paintings) with a female one (weaving). When Klah died in 1937, at age 70, he was one of the most respected people in the Navajo Nation.

Some Navajo terms

Hogan. An eight-sided or round house of logs or occasionally stone. From the Navajo hooghan.

Klah. The old Navajo names were sacred, and only the closest family knew a person’s real name. People were known by nicknames, which could change as they aged. Klah (Tł’a, or “left-handed”) was known by this nickname in middle age and beyond. I assume that his real name died with him.

“Navajo” and “Navaho” are both correct spellings. Academics prefer “Navaho”, but folks from the Southwest write “Navajo”, following the Spanish spelling.  The Navajos call themselves “the people” (diné).

Yeibichai. From yé’ii bicheii, maternal grandfather of giant, dreaded spirit people.

Spellings checked against:

Young, Robert W. and William Morgan 1980 The Navajo Language: A Grammar and Colloquial Dictionary. Albuquerque: University of New Mexico Press. 1,069 pp.

Further reading

Newcomb: Franc Johnson 1964 Hosteen Klah: Navaho Medicine Man and Sand Painter. Norman: University of Oklahoma Press.  227 pp.

Photos

The photo of Klah was taken before 1923 by an unknown photographer. Source: http://www.aritearu.com/pic/HosteenKlah1.jpg

The mall Yeibichai rug, made with synthetic red dye, was ollected about 1950 by LeRoy Bentley. Photo by Jeff Bentley

Digital African agriculture September 6th, 2020 by

In the report Byte by Byte, seventeen African and international experts shed some optimistic light on the digital future of agriculture in Africa. In many ways, the continent is ahead of other regions of the world.

Africa is leading the world in cell phone finance. In Kenya in 2007, Vodaphone started M-Pesa for the mobile network operator, Safaricom. M-Pesa, (from “M” for mobile, and “pesa,” the Kiswahili word for money) offers simple financial services on the phone. Customers go to a small shop to exchange cash for online money which they can save or send to anyone else in Kenya who has a mobile phone. It is an effective way for rural and poor people to send and receive money. People in the city can send cash back home, to invest in agriculture, for example.

M-Pesa was so popular that mobile money has been replicated in Malawi, Uganda and many other African countries. Rural Africans who were underserved by banks were able to make use of the little shops that sprang up all over the small towns and in peri-urban neighborhoods.

Mobile finance is not the only innovative digital service in Africa. Other companies are offering tractor services online. TROTRO Tractor is a platform in Ghana that allows farmers to hire a tractor (and a driver), like getting a ride from Uber. Other companies use cell phones to sell agricultural supplies, or to connect farmers to buyers of agricultural produce. The largest telecommunications company in Zimbabwe has been providing weather insurance to farmers on a mobile platform since 2013. The National Network of Chambers of Agriculture of Niger (RECA) has been providing commodity price information online to farmers since 2011.

The Third Eye project in Mozambique has used drones to get an aerial view of farmers’ fields, and make recommendations on irrigation for 2,800 smallholder farmers, mostly women.

Digital technology makes sense for Africa, which has a young population. Young Africans like digital technology as much as youth on other continents. One advantage is that phones are also relatively inexpensive in Africa. I’ve seen smartphones for sale in Kenya for under $40. There are some limitations. Airtime tends to be expensive in Africa, and only about half of the population is on the electric grid.

Many Africans work around the lack of electricity, paying to charge their phones at weekly markets, barbershops or other small businesses when shopping in town. The popularity of cell phones has sparked a growing demand for small solar panels that are becoming a common site, propped up in the bright sunshine outside of an earthen house.

African farmers need appropriate new agricultural technology as well as digital devices. As more African households get online, it will be easier to reach them with digital extension, including videos.

Further reading

Malabo Montpellier Panel 2019. Byte by Byte: Policy Innovation for Transforming Africa’s. Food System with Digital Technologies, Dakar.

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Cell phones for smallholdersPay and learn

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Achojcha: An Inca vegetable June 21st, 2020 by

Ver la versión en español a continuación

The achojcha is a member of the squash family, green and crunchy and just the right size to fit in the palm of your hand. It grows vigorously as a vine and will smother a tree, if you let it.

The achojcha has an edible skin and is hollow inside, like a balloon, with striking black seeds. It needs little care. It can grow back every year from seeds that were accidently dropped the year before, sprouting with the summer rains, and bearing fruit in the autumn. With irrigation it will grow pretty much year-round.

The book Lost Crops of the Incas estimates that the achojcha was domesticated 9000 years ago. Ancient peoples loved it enough that the pre-Colombian Chimú people of Peru made effigy pots in honor of the little fruit.

We have grown achojcha in our garden in Cochabamba, Bolivia for years, and it’s a popular vegetable with smallholders. The achojcha is high-yielding and sometimes we have a basketful of fruit left on the vine which we can pick during the Andean winter. Even when we abandon the fruit until the end of the season, it simply wilts, and we have yet to see any diseases or insect pests on it. There is only passing reference to a virus in achojcha. I have seen mites on achojcha in the valley of Comarapa, further down the Andes, where pesticide abuse is common.

The achojcha is still a poor person’s food in Bolivia. It is not sold by that bedrock of middle-class cuisine, the supermarket, but you can buy achojcha from street venders. The achojcha does enjoy a certain following. If you search for it on the Internet you will find several recipes. Home cooks in South America sometimes stuff the achojcha with cheese, or with rice and meat, before battering it with egg and frying it. The versatile fruit can be stewed or eaten raw in salads. 

As Paul argued in last week’s blog, farmers should be encouraged to produce for the local market. While governments and donors have a responsibility to invest in generating new knowledge in support of agroecology, a transition towards more sustainable food systems will also require re-educating consumers on the importance of preparing the fruits and vegetables that fit best into the local agroecology.

Further reading

Cárdenas, Manuel 1989. Manual de Plantas Económicas de Bolivia. Cochabamba: Los Amigos del Libro.

National Research Council 1989 Lost Crops of the Incas: Little-Known Plants of the Andes with Promise for Worldwide Cultivation. National Academies Press.

.Related blog stories

Eating bricks

Make luffa, not plastic

Forgotten vegetables

Scientific and other names

The achojcha is called caigua in the northern Andes. Its scientific name is Cyclanthera pedata.

A couple of unconvincing English names are “stuffing cucumber” and “slipper gourd.”

Acknowledgement

As always, thanks to Paul Van Mele and Eric Boa for excellent comments on a previous draft. Thanks also to Eric for his stunning picture of the achojcha seeds.

LA ACHOJCHA: HORTALIZA INCA

Por Jeff Bentley, 21 de junio del 2020

La achojcha es un miembro de la familia de las calabazas, verde y crujiente y del tamaño justo para caber en la palma de tu mano. Crece vigorosamente como una parra y ahoga a un árbol, si se lo permites.

La achojcha tiene una cáscara comestible y es hueca por dentro, como un globo, con llamativas semillas negras. Necesita poco cuidado. Puede volver a nacer todos los años a partir de semillas que se cayeron accidentalmente el año anterior, brotando con las lluvias de verano, y dando frutos en el otoño. Con la irrigación crecerá año redondo.

El libro Lost Crops of the Incas estima que la achojcha fue domesticada hace 9000 años. A los antiguos les gustaba tanto que el pueblo chimú precolombino de Perú hizo ollas efigies en honor a la pequeña fruta.

Hemos cultivado achojcha en nuestro huerto en Cochabamba, Bolivia, durante años, y es una hortaliza cotizada entre los campesinos. La achojcha es rendidora y a veces nos queda una canasta llena de fruta en la parra hasta después de cosecharla por meses. Incluso cuando abandonamos la fruta hasta el final de la temporada, simplemente se marchita, y todavía no hemos visto ninguna enfermedad o plaga insectil en ella. Sólo hay una referencia pasajera a un virus en la achojcha. He visto ácaros en la achojcha en el valle de Comarapa, más abajo en los Andes, donde el abuso de pesticidas es común.

La achojcha sigue siendo el alimento de los pobres en Bolivia. No es vendido por ese cimiento de la cocina burguesa, el supermercado, pero puedes comprar achojcha de los puestos en la calle. La achojcha tiene su público. Si lo buscas en Internet encontrarás varias recetas. Los cocineros caseros de Sudamérica a veces rellenan la achojcha con queso, o con arroz y carne, antes de rebozarlo con huevo y freírlo. Esta fruta tan versátil puede entrar a la sopa, o cruda en ensaladas. 

Como Paul argumentó en el blog de la semana pasada, se debe alentar a los agricultores a producir para el mercado local. Si bien los gobiernos y los donantes tienen la responsabilidad de invertir en generar nuevos conocimientos en apoyo de la agroecología, la transición hacia un agro más sostenible también requiere reeducar a los consumidores sobre la importancia de preparar las frutas y verduras que se adapten a la agroecología local.

Para leer más

Cárdenas, Manuel 1989. Manual de Plantas Económicas de Bolivia. Cochabamba: Los Amigos del Libro.

National Research Council 1989 Lost Crops of the Incas: Little-Known Plants of the Andes with Promise for Worldwide Cultivation. National Academies Press.

Otros relatos de este blog

Eating bricks

Make luffa, not plastic

Forgotten vegetables

Agradecimiento

Sinónimo y nombres científicos

La achojcha se llama caigua en el norte de los Andes. Su nombre científico es Cyclanthera pedata.

Como siempre, gracias a Paul Van Mele y Eric Boa por sus excelentes comentarios sobre un borrador anterior. Gracias también a Eric por su impresionante imagen de las semillas de achojcha.

Travelling farmers May 3rd, 2020 by

Vea la versión en español a continuación

We once had a talented carpenter named Rodrigo, who would come to our house to fix cabinets and build closets. He liked to start in the afternoon and stay for dinner. He was slow and methodical, but his work was always perfect. Every year, this bohemian handyman would take his mother and go back to their home village on the Bolivian Altiplano, several times a year to plant, tend and harvest quinoa. They would bring the harvest back to Cochabamba and wait for the price to peak, when they would sell. In previous stories we have described the soil erosion caused by the quinoa boom (Wind erosion and the great quinoa disaster and Slow recovery), but Rodrigo and his mother were acting like short-term, economic rationalists.

In a provocative new article, researcher Enrique Ormachea explains that people like Rodrigo and his mother are “residents” (country people living permanently in the cities, while maintaining ties in the village, especially returning for harvest).

Other farmers have moved much shorter distances. The Andean valleys are dotted with the ruined, adobe houses where the grandparents of today’s farmers once lived. Many farmers have left the most remote countryside to live in the bigger villages and small towns where there are shops, schools, electricity and running water. In the past 15 or 20 years, many of these Bolivian farmers have bought motorcycles so they can live in town and commute to the farm. It is now a common sight in the countryside to see farmers’ motorbikes parked along the side of the dirt roads, while the farmer is working a nearby field.

These farmers sell their potatoes and grains in weekly fairs in the small towns, to small-scale wholesalers (who work with just one truck). Thousands of people may throng into a fair, in a town that is nearly empty the other six days of the week.

Still other migrants make long trips every year. Farmers without irrigation cannot work their own land during the long dry season. So, in the offseason they travel to the lowlands of Bolivia, where forests have been cleared for industrial agriculture: not necessarily sustainable, but productive (at least for now). This commercial agriculture relies on the labor of rural people who travel hundreds of kilometers to work.

68% of the agricultural production in Bolivia comes from large, capitalist farms, according to census data that Ormachea cites in his article. 23% is on peasant farms that are large enough to hire some labor and sell some produce. Only 8% is on small, subsistence farms. One could argue with this data; smallholders often underestimate their income when talking to census takers, who are suspected of being the tax man in disguise. Even if we accept the figures at face value, a third of food output comes from small farms. But large and small farms produce different things; smallholders produce fruits, vegetables, potatoes and pigs, unlike the soy, sugar, rice and beef that comes from the big farms. 

Three kinds of people (the city residents, the farmers who commute from town, and the dry season migrants) all travel to produce and move food. The government of Bolivia acts as though it does not understand this. In order to stop Covid-19, the government has forbidden all buses, taxis and travel by car, closed the highways and banned the fairs. According to the official logic, farmers live on farms, and grow potatoes for their soup pot, so they don’t need to travel.

Some Bolivian citizens are given special permission, a paper to tape to the windshield of their truck, allowing them to drive to rural areas to buy food wholesale, to resell in cities. But these buyers are not reaching all of the farms, and such schemes are easily corrupted. At least 1,000 vehicles are circulating with counterfeit permission slips, in Cochabamba alone. Ormachea cites farmers like Martín Blanco, a peach farmer, who explained that because of recent travel restrictions, he was only able to get half of his peach harvest to market. The rest of the peaches were lost. As one farmer explained “If I don’t sell it all, I won’t have my little money.”

In the past couple of decades, food systems in tropical countries have changed rapidly, to rely much more on travel than previously. These food systems are resilient, up to a point, but they are also easier to break apart than they are to fix. As Ormachea suggests, policy makers need to meet with business people, farmer representatives and indigenous leaders to find a way to allow the safe movement of food and farmers in these times of virus lockdown.

Further reading

Challapa Cabezas, Carmen 2000 Tránsito en Cochabamba descubre mil permisos clonados y falsificados. Los Tiempos 24 April 2020.

Chuquimia, Leny 2020 Agricultores temen por sus cosechas y los alimentos tardan en llegar. Página Siete 4 April 2020.

Ormachea Saavedra, Enrique 2020 Producción Agrícola y Estado de Emergencia Sanitaria. Boletín de Seguimiento a Políticas Públicas. Control Ciudadano 35. CEDLA: Centro de Estudios para el Desarrollo Laboral y Agrario.

Related blog stories

A long walk home

Strawberry fields once again

VIAJES PRODUCTIVOS

Por Jeff Bentley, 3 de mayo del 2020

Antes teníamos un carpintero habiloso llamado Rodrigo, que venía a nuestra casa para arreglar gabinetes y construir roperos. Le gustaba empezar por la tarde y quedarse a cenar. Era lento y metódico, pero su trabajo siempre era perfecto. Este artista bohemio solía llevar a su mamá a su comunidad de origen en el altiplano boliviano, varias veces al año, para plantar, cuidar y cosechar la quinoa. Traían la cosecha a Cochabamba y esperaban a que el precio llegara a su punto máximo, cuando vendían. En historias anteriores hemos descrito la erosión del suelo causada por el boom de la quinua (Destruyendo el Altiplano Sur con quinua y Recuperación lenta), pero por lo menos Rodrigo y su mamá se comportaban de manera económicamente racional, a corto plazo.

En un artículo nuevo y original, el investigador Enrique Ormachea explica que personas como Rodrigo y su mamá son “residentes” (gente del campo que vive permanentemente en las ciudades, y que mantienen sus vínculos con su comunidad, especialmente regresando para la cosecha).

Otros campesinos viajan, pero a distancias mucho más cortas. Aquí y allí por los valles andinos encuentras “las casas de los abuelos,” ruinas de adobe donde vivía gente hasta hace algunas pocas décadas. Muchos agricultores han dejado el campo más remoto para vivir en las comunidades más grandes y en las pequeñas ciudades donde hay tiendas de barrio, colegios, luz y agua potable. En los últimos 15 o 20 años, muchos de estos agricultores bolivianos han comprado motocicletas para poder vivir en el pueblo e ir cada día a su terreno. Ahora en el campo es común ver las motos de los agricultores estacionadas al lado de los caminos de tierra, mientras el motociclista trabaja en un campo cercano.

Estos agricultores venden sus papas y granos en ferias semanales en las cabeceras municipales, a los mayoristas de pequeña escala (que trabajan con un solo camión). Miles de personas acuden en masa a las ferias, en pueblos que están casi vacías los otros seis días de la semana.

En cambio, otros migrantes hacen largos viajes cada año. Los agricultores sin riego no pueden trabajar su propia tierra durante la larga época seca. Así que, en la temporada baja viajan al oriente de Bolivia, donde se han talado los bosques para la agricultura industrial; no es necesariamente sostenible, pero sí es productiva (por lo menos todavía). Esta agricultura comercial depende de la mano de obra de la gente del campo que viaja cientos de kilómetros para trabajar.

El 68% de la producción agrícola de Bolivia proviene de grandes fincas capitalistas, según los datos del censo agropecuario que Ormachea cita en su artículo. El 23% es producido por campesinas que tienen suficiente escala para contratar ayudantes y vender algunos productos. Sólo el 8% de la producción agrícola viene de explotaciones de subsistencia. Estos datos son discutibles; los campesinos a menudo subestiman su producción cuando hablan con los censistas, quienes sospechan de ser cobradores disfrazados de impuestos. Pero aun si aceptamos las cifras así no más, un tercio de los alimentos vienen de los campesinos que producen frutas, verduras, papas y chanchos, a diferencia de la soya, el azúcar, el arroz y la carne de res que vienen de las fincas grandes. 

Tres tipos de personas (los residentes, los agricultores que se trasladan a sus parcelas, y los migrantes de la época seca) todos viajan para producir y trasladar alimentos. El gobierno de Bolivia actúa como si no entendiera esto. Para detener a Covid-19, el gobierno ha prohibido todo el transporte público, ha cerrado las carreteras y las ferias. De acuerdo con la lógica oficial, los campesinos viven en granjas, y cultivan papas para hacer su papa wayk’u, por lo que no necesitan viajar.

A algunos ciudadanos bolivianos se les da un permiso especial, un papel para pegar al parabrisas de su camión, lo que les permite ir a las zonas rurales para comprar alimentos al por mayor, para revenderlos en las ciudades. Pero estos compradores no llegan a todos los productores, y tales sistemas se corrompen fácilmente. Al menos mil vehículos circulan con permisos falsificados, sólo en Cochabamba. Ormachea cita a agricultores como Martín Blanco, un agricultor de duraznos, quien explicó que debido a las recientes restricciones de viaje, sólo pudo llevar al mercado la mitad de su cosecha de duraznos. El resto de los duraznos se perdieron. Como explicó otro agricultor: “Si no lo vendo todo, no tendré mi platita.”

En las últimas dos décadas, la producción y distribución de alimentos en los países tropicales han cambiado rápidamente, hasta depender mucho más de los viajes. Estos sistemas alimentarios son resistentes, hasta cierto punto, pero también son más fáciles de desbaratar que componer. Como sugiere Ormachea, el gobierno debe reunirse con los empresarios, con las organizaciones campesinas y pueblos indígenas para ver cómo permitir el movimiento seguro de los alimentos y los agricultores en estos tiempos de cuarentena del virus.

Más lectura

Challapa Cabezas, Carmen 2000 Tránsito en Cochabamba descubre mil permisos clonados y falsificados. Los Tiempos 24 April 2020.

Chuquimia, Leny 2020 Agricultores temen por sus cosechas y los alimentos tardan en llegar. Página Siete 4 April 2020.

Ormachea Saavedra, Enrique 2020 Producción Agrícola y Estado de Emergencia Sanitaria. Boletín de Seguimiento a Políticas Públicas. Control Ciudadano 35. CEDLA: Centro de Estudios para el Desarrollo Laboral y Agrario.

Historias relacionadas de este blog

A long walk home

En el frutillar de nuevo

Strawberry fields once again March 15th, 2020 by

Vea la versión en español a continuación

Like many Bolivians, Diego Ramírez never thought about remaining in the village where he was born, and starting a business on his family’s small farm. As a kid, he loved picking fruit on his grandparents’ small strawberry patch in the village of Ucuchi, and swimming with his friends in a pond fed with spring water, but he had to leave home at a young age to attend high school in the small city of Sacaba, and then he went on to study computer science at the university (UMSS) in the big city of Cochabamba, where he found work after graduation.

Years later, Diego’s dad called his seven children together to tell them that he was selling their grandparents’ farm. It made sense. The grandparents had died, and the land had been idle for about 15 years. Yet, it struck Diego as a tragedy, so he said “I’ll farm it.” Some people thought he was joking. In Ucuchi, people were leaving agriculture, not getting into it. Many had migrated to Bolivia’s eastern lowlands or to foreign countries, so many of the fields in Ucuchi were abandoned. It was not the sort of place that people like Diego normally return to.

When Diego decided to revive his family farm two years ago, he turned to the Internet for inspiration. Although strawberries have been grown for many years in Ucuchi, and they are a profitable crop around Cochabamba, Diego learned of a commercial strawberry farm in Santo Domingo, Santiago, in neighboring Chile, that gave advice and sold plants. Santo Domingo is 2450 km from Cochabamba, but Diego was so serious about strawberries that he went there over a weekend and brought back 500 strawberry plants. Crucially, he also learned about new technologies like drip irrigation, and planting in raised beds covered with plastic sheeting. Encouraged by his new knowledge, he found dealers in Cochabamba who sold drip irrigation equipment and he installed it, along with plastic mulch, a common method in modern strawberry production.

Diego was inclined towards producing strawberries agroecologically, so he contacted the Agrecol Andes Foundation which was then organizing an association of ecological farmers in Sacaba, the small city where Diego lives (half way between the farm and the big city of Cochabamba). In that way Diego became a certified ecological farmer under the SPG PAS (Participatory Guaranty System, Agroecological Farmers of Sacaba).  Diego learned to make his own biol (a fermented solution of cow dung that fertilizes the soil and adds beneficial microbes to it). Now he mixes biol into the drip irrigation tank, fertilizing the strawberries one drop at a time.

Diego also makes his own organic sprays, like sulfur-lime brew and Bordeaux mix. He applies these solutions every two weeks to control powdery mildew, a common fungal disease, thrips (a small insect pest), red mites, and damping off. I was impressed. A lot of people talk about organic sprays, but few make their own. “It’s not that hard,” Diego shrugged, when I asked him where he found the time.

Diego finds the time to do a lot of admirable things. He has a natural flair for marketing and has designed his own packing boxes of thin cardboard, which he had printed in La Paz. His customers receive their fruit in a handsome box, rather than in a plastic bag, where fruit is easily damaged. He sells direct to customers who come to his farm, and at agroecological fairs and in stores that sell ecological products.

Diego still does his day job in the city, while also being active in community politics in Ucuchi. He also tends a small field of potatoes and he is planting fruit trees and prickly pear on the rocky slopes above his strawberry field. Diego has also started a farmers’ association with his neighbors, ten men and ten women, including mature adults and young people who are still in university.

The association members grow various crops, not just strawberries. Diego is teaching them to grow strawberries organically and to use drip irrigation. To encourage people to use these methods he has created his own demonstration plots. He has divided his grandparents’ strawberry field into three areas: one with his modern system, one with local varieties grown the old way on bare soil, with flood irrigation, and a third part with modern varieties grown the old way. The modern varieties do poorly when grown the way that Diego’s grandparents used. And Diego says the old way is too much work, mainly because of the weeding, irrigation, pests and diseases.

Ucuchi is an attractive village in the hills, with electricity, running water, a primary school and a small hospital. It is just off the main highway between Cochabamba and Santa Cruz, an hour from the city of Cochabamba where you can buy or sell almost anything. Partly because of these advantages, some young people are returning to Ucuchi. Organic strawberries are hard to grow, and rare in Bolivia. But a unique product, like organic strawberries, and inspired leadership can help to stem the flow of migration, while showing that there are ways for young people to start a viable business in the countryside. Diego clearly loves being back in his home village, stopping his pickup truck to chat with people passing by on the village lanes. He also brings his own family to the farm on weekends, where he has put a new tile roof on his grandparents’ old adobe farm house.

Agriculture is more than making a profit. It is also about family history, community, and finding work that is satisfying and creative.

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EN EL FRUTILLAR DE NUEVO

Por Jeff Bentley, 15 de marzo del 2019

Como muchos bolivianos, Diego Ramírez nunca pensó en quedarse en la comunidad donde nació, y empezar un emprendimiento agrícola en las pequeñas chacras de su familia. Diego cuenta que de niño le encantaba recoger fruta en la pequeña parcela de frutillas de sus abuelos en la comunidad de Ucuchi, y nadar con sus amigos en una poza de riego, llena de agua de manantial, pero de joven tuvo que vivir en la ciudad pequeña de Sacaba para estudiar en colegio. Luego se fue a estudiar a la Universidad UMSS, la carrera de ingeniería de sistemas. Culminado los estudios, empezó a trabajar en la ciudad de Cochabamba.

Años más tarde, el padre de Diego llamó a sus siete hijos para decirles que estaba vendiendo el terreno de sus abuelos. Tenía sentido. Los abuelos habían fallecido, y nadie había trabajado la tierra durante unos 15 años. Sin embargo, a Diego le pareció una tragedia, así que dijo: “Yo la voy a trabajar”. Algunos pensaron que era un chiste. En Ucuchi, la gente estaba en plan de dejar la agricultura, no meterse en ella. Preferían emigrar al Oriente de Bolivia y muchos se habían ido del país. Por esta razón muchas de las parcelas están abandonadas. No es el tipo de lugar al que la gente como Diego normalmente regresa.

Cuando Diego decidió revivir su finca familiar ya hace dos años, buscó inspiración en el Internet. Aunque la frutilla es un cultivo ancestral de la comunidad de Ucuchi y muy rentable en Cochabamba, Diego se enteró de una empresa productora de frutillas en Santo Domingo, Santiago, en el vecino país de Chile, que daba consejos y vendía plantas. Santo Domingo está a 2450 km de Cochabamba, pero Diego se tomó tan en serio las frutillas que fue allí un fin de semana y trajo 500 plantas de frutillas. Crucialmente, también aprendió sobre el cultivo tecnificado de frutillas, aplicando el riego por goteo y plantado en camas tapadas con plástico. Movido por sus nuevos conocimientos, buscó distribuidores en Cochabamba que vendían equipos de riego por goteo y los instaló, junto con el mulch plástico, un método común en la producción moderna de fresas.

Diego se inclinó más en la producción agroecológica para producir frutillas, así que se contactó con la Fundación Agrecol Andes que estaba organizando una asociación de productores ecológicos en Sacaba, la pequeña ciudad donde Diego vive, a medio camino entre su terreno y la ciudad grande de Cochabamba. Diego ya tiene certificación de productor ecológico con SPG PAS (Sistema Participativo de Garantía Productores Agroecológicos Sacaba), Diego aprendió a hacer su propio biol (una solución fermentada de estiércol de vaca que fertiliza el suelo mientras añade microbios buenos). Ahora mezcla el biol en el tanque de riego por goteo, fertilizando las frutillas una gota a la vez.

Diego también hace sus propias soluciones orgánicas, como el sulfocálcico y el caldo bordelés. Fumiga estas preparaciones cada dos semanas para controlar el oídium, los thrips (un pequeño insecto), la arañuela roja, y la pudrición de cuello. Me impresionó. Mucha gente habla de aplicaciones orgánicos, pero pocos hacen las suyas. “No es tan difícil”, Diego dijo cuando le pregunté de dónde hallaba el tiempo.

Diego encuentra tiempo para hacer muchas cosas admirables. Tiene un talento natural para el marketing y ha diseñado sus propias cajas de cartón delgado, que ha hecho imprimir en La Paz. Sus clientes reciben la fruta en una bonita caja, en lugar de en una bolsa de plástico, donde la fruta se daña fácilmente. Vende directamente a los clientes que vienen a la misma parcela, en las ferias agroecológicas y en tiendas que comercializan productos ecológicos.

Diego todavía hace su trabajo normal en la ciudad, mientras que también tiene una cartera en la comunidad de Ucuchi. También cultiva una pequeña chacra de papas y está plantando árboles frutales y tunas en las laderas pedregosas arriba de su frutillar. Diego también ha iniciado una asociación de agricultores con sus vecinos, diez hombres y diez mujeres, incluidos adultos mayores y jóvenes que todavía están en la universidad.

Los miembros de la asociación cultivan diversos cultivos, no sólo frutillas. Diego les enseña a cultivar frutillas orgánicamente y a usar el riego por goteo. Para animar a la gente a usar estos métodos, ha creado sus propias parcelas de demostración. Ha dividido el frutillar de sus abuelos en tres áreas: una con su sistema moderno, tecnificado, otra con variedades locales cultivadas al estilo antiguo en suelo desnudo, con riego por inundación, y una tercera parte con variedades modernas cultivadas a la manera antigua. Las variedades modernas no rinden bien cuando se cultivan al estilo de los abuelos. Y Diego dice que la forma antigua es mucho trabajo, principalmente por el desmalezado, el riego y las enfermedades además de las plagas.

Ucuchi es una atractiva comunidad en las faldas del cerro, con electricidad, agua potable, una escuela primaria y un pequeño hospital. Está justo al lado de la carretera principal a Santa Cruz, a una hora de la ciudad de Cochabamba donde se puede comprar o vender casi cualquier cosa. En parte por estas ventajas, algunos jóvenes se están volviendo a la comunidad de Ucuchi. Las frutillas orgánicas son difíciles de cultivar, y son raras en Bolivia. Pero un producto único, como las frutillas orgánicas, y un liderazgo inspirado pueden ayudar a frenar el flujo de la migración, al mismo tiempo de mostrar que hay maneras viables para que los jóvenes empiecen con un emprendimiento personal en el campo. A Diego le encanta estar de vuelta en su comunidad: para su camioneta para charlar con la gente que pasa por los caminos del pueblo. También trae a su propia familia a la finca los fines de semana, donde ha puesto un nuevo techo de tejas en la vieja casa de adobe de sus abuelos.

La agricultura es más que la búsqueda de lucro. También se trata de la tradición familiar, la comunidad y de sentirse realizado con un trabajo satisfactorio y creativo.

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